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'Forest Passage'
by Mariusz Kadlowski |
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'Road to Clovelly'
by Kelvin Holtom |
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'Macaw Pair'
by Lynda Appleby |
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'Slipper Orchid V'
by Tina Bone |
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'Nude 16'
by Doreen Daubermann |
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'Snapdragon'
by Rachel Allsop |
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'The Torrent'
by Anne Cockburn |
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'Autumn Forest'
by Kasia Kaldowski |
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'Still life with Red Amaryllis'
by Caroline Kaye |
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'Pergola'
by Tracy Butler |
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'Elterwater Autumn'
by Brigitte Hayden |
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'Amaryllis Border'
by Sue Hague |
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'The Hope of Sepilok'
by Richard Childs |
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'Lake and Mistletoe, Bassoues II'
by Ben Brotherton |
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'The Visitors'
by Mary Herbert |
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'Early Morning Faversham Quay'
by Karl Terry |
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'Un Momento Intenso del Flamenco'
by Richard Young |
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'Working the Line'
by Caren Thompson |
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'Whitstable Harbour Seagull'
by Peter Gander |
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'Sun on Church Dresses'
by Karin Malan |
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'Early April'
by Stefan Conka |
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'Summer Falls'
by Sue Smith |
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'Caught Red Handed'
by Kate Clarke |
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'Passing Showers, Bath'
by Paul Weaver |
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'Moorgreen Reservoir, Nottinghamshire'
by Malcolm Parnham |
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'Abandoned Boats'
by Doreen Hunt |
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'Patience'
by Claire Howell |
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'The Strip'
by Emma Loizides |
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'Portrait in Oranges and Purples'
by Cassandra Newby |
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'Port Isaac'
by Ian Barker |
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'Our Country'
by Malcolm Allen |
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'Martin'
by Alison Mulroy |
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'Far and Wide'
by Suzy Bishop |
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'Sheep in the Heather'
by Sandy Hillyer |
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'Birthday Bouquet I'
by Valerie Alexander |
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'Industrial Heritage'
by Michael Pritchard |
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'Summer Cloisters, San Gimignano'
by Lesley Banks |
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'Frenchmans Bay'
by Paul Clarke |
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'Low Tide, St Ives'
by Hugh Brown |
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'Emma’s Necklace'
by David Sandell |
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'Venice I'
by Geraldine Brock |
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'Reflections of Birmingham'
by Sheila Hogge |
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'Calm After Sunrise, Pin Mill'
by John Scott Martin |
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'Liverpool St Information'
by Mike Booth |
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